Video production case study
As a BBC-trained video producer, I initiated the development of this live show video production. In this case study, I explain some of the details behind its production. The final live show video production contains adult humour, so it’s not for the easily offended.
Planning the production
For 14 years, the Dame Edna Experience performed weekly at London’s Royal Vauxhall Tavern (RVT). In 2013, artist Jonathan Hellyer decided to end his weekly show with one final performance.
Realising that this would be an extraordinary night, I sought permission from the artist and venue to film the performance. After gaining suitable permissions, I assembled a crew to help record the event.
Experienced DoP Richard Gillespie and some mutual friends agreed to support me in this venture.
Filming day
The evening performance was being rehearsed in the afternoon, so we arrived with our kit and set up the rigging to support five camera positions. One camera was fixed onto each vertical pillar in front of the stage. Another camera with a zoom lens was set up backstage right on a heavy tripod for stability.
Cameraman Louis Blair was filming at the edge of stage left on a monopod, and Richard was to film with a shoulder-mounted rig at the edge of stage right. I also set up an additional camera on a locked-off wide at the back position where I would be based and filming.
Recording the sound
Richard managed to ensure that a clean feed of the performer’s microphone was fed to one camera track and an Atmos track recorded on track 2. All the other cameras recorded an Atmos track so that we could easily sync up the different cameras’ images.
Once the camera had been rigged, the crew took turns staying with the kit while the rest had dinner. The event was a sell-out, so we knew it would be impossible to move once the audience arrived.
Filming
After eating we all returned to our positions as the venue filled. Just before the DJ (Simon Le Vans) announced the start of the show, we all went into record. The locked off and mounted cameras needed to be restarted every 29 minutes or so as that was their maximum recording duration.
The tripod-mounted camera was able to continuously record for the whole 135-minute show duration. It was a very emotional evening for everybody there.
Editing
After filming, I copied all the camera cards onto my RAID 5 drive and then created an additional back up on a separate drive array. I created multi-camera clips for all the cameras. I laid down a master vision track from the tripod-mounted camera onto a separate video layer in Avid so that I could edit between the other cameras for the best performance.
Live show video production
Unfortunately, due to the copyright restrictions on the use of commercial music, all the songs had to be edited out. Once I edited out the songs, I edited together the rest of the show, and the final film was uploaded to YouTube. The 31-minute film shows some of the highlights from his 135-minute show.
If you would like help with your live show video production, please get in touch.
